the very first release from the parisian hbt. the co-founder of the french record label dement3d took inspiration into ambient and techno music

celebrating the founding 25 years ago of the legendary drum & bass / jungle label - suburban base records. we have chosen 1 key title for the first 5 years of the label to reissuea vinyl release for record store day 2017 on clear vinyl . pick from 1994 - early dj hype release: roll the beats , dub plate fever & floating kill

modern radical changes have to be found inside the man-­&#8208,machine relationship and the chief kill ref debuts on his own label with a set of live recorded originals, and two studio remixes: human touch drives simplehardware automations: metal, fast rhythmic, blind acid synthesizers starring the title track &#147,night speaker&#148,, the distorted drummachines builton hars trippy synths paint original &#147,sigh notch&#148, and the original &#147,lowering sight&#148,. developer gives an hypno bigroom remix to the unreleased track &#147,cloudlike&#148, and charlton re-­&#8208,invents &#147,sight notch&#148, offsetting its rhythms and delays.

there’s been little more than half a year since kess kill launched, but there’s no doubt the label ethos has come across with its glowing yellow and spidery, but ragged sharp, teeth bared.&#8232,, for the fourth release, german industrial heroine geneviève pasquier bites hard with four humor and personality filled industrial numbers. she rides the thin line of black humor with such grace that her pretentious peers are left with their leather trousers by the knees in her wake. &#8232,,&#8232,,special thanks to ant-zen for granting licensing rights. qu’est-ce qu’il fait chaud!

elliott thomas, aka etbonz, portlands prodigal son, touches down for the first time on loveon the rocks with my kinda future. etbonz, the lovechild of buckaroo banzai and thetalented ellen ripley, utilises the latest krystalvision technology over this eleven and a half minute opus to bring you to the edge of a future where maybe, just maybe, arnold didnt kill the predator.. where some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favourite head up against the barroom wall, looks you crooked in the eye and asks you if you paid your dues. where you cant even get to the chopper, because kurt russell is in the cockpit with a head full of acid, wearing a hat made of drum machines. should we check it out? or just check into a psycho ward? whichever comes first, huh? its a kinda future that leaves you asking yourself, if i am not me, then who the hell am i? am i prins thomas? what is a diskomiks? you ever fuck a mutant? tall guy, weird clothes. first you see him, then you dont. the best mindfuck ever!

remastered reissue of the 1970 zappa album.

uncle howie records is proud to announce the 2lp reissue of non phixion’s critically acclaimed debut album the future is now. with production from legendary producers dj premier, pete rock & large professor as well as guest appearances from the beatnuts, mf doom and necro, the future is now reissue returns to the shelves

with many new roads traveled over the last few years, the gaslamp killer is back with the full-length lp instrumentalepathy. glk will initiate his new imprint cuss records with instrumentalepathy. french surrealism artist albane simon designed the cover, supplying an array of psychedelic imagery that contains a brilliant sense of connection to glk’s music & the chaos he’s survived. instrumentalepathy features an impressive cast of artists tied closely to glk over his music career with brainfeeder, low end theory and beyond. guests include gonjasufi, miguel atwood ferguson, niki randa, kid moxie, mophono, amir yaghmai and the heliocentrics. it’s been over a decade since glk and gonjasufi have collaborated on new music, bringing the two natives of san diego back together for something truly special.

just 200 copies - thats it !!
here comes the brand new in the dark again record! for release number 06 snuffo got the chance to bring together four tracks by le chocolat noir, vault and bakunin commando. enjoy the darkness!

label founder and owner of how to kill detroit, the friend gives his fresh release from tokyo s underground label doddadsee. this vinyl includes tracks with his very own unique style sludge

the third volume in the road kill compilation series from hit & run. a curated selection of exclusive beats featuring beats from some of the most notable names in electronic, hip hop and experimental music. pressed on a slab of red vinyl with black haze - limited to just 300 copies!

celldöd, aka anders karlsson, has been releasing dirty electronic music since the late 80s, both small-run cassette tapes inspired by the diy ethos of his post-punk background, and pristine vinyl editions. karlsson s music is uncompromising and edgy, with roots in both early electronic and 70s industrial music from britain, as well as us techno and kraut-inspired german electronics. prior to releasing records under the name celldöd, he released music as the pain machinery (ebm), human experiment (industrial), preset (industrial/breakcore), and hbt (proto-techno/industrial) among others — all unified by an omnipresent diy-punk attitude.

2016 re-issue ... 2lp set , pressed on 180gr , incl mp3 download code

zuhören, genießen, glücklich sein: die wiedervereinigung des jahres. die vinyl-lp erscheint inklusive album-cd.

steve murphy presents his new acid and industrial-tinged techno project, the night flyer, on lobster theremin’s cryptic black label imprint. a fear-addled chill seething down the spine and a machine-grinding, acid terror-bird emerging from the deep night, the night flyer is an expectedly dark take on the seedier end of technoid nightmares, while hanging a distinctly cold (wave?) atmosphere over cobbled, crushed analogue structures.

when heavyweights collide in any arena there’s always going to be fireworks, and the violent five ep sees two such goliaths, black sun empire and state of mind, go head-to-head across four dark-edged dancefloor killers.

hot on the heels of kess kill s launch featuring cute heels, rivet proudly presents kess02 by xaõ seffcheque. while kess01 was in no way a compromise, it was still a very intentional symbiosis between the distilled essence of kess kill and contemporary electronic music. on kess02 we go straight to the core of the kess kill sound and aesthetic with three breathtaking songs by xaõ seffcheque. a contemporary of liaisons dangereuses and d.a.f., düsseldorf based artist xaõ produced some extremely singular music in the late 1970s and early 1980s, which makes for a very proud first reissue for kess kill. this is music so unparalleled that making comparisons is completely redundant. think jacked up post-punk with manic rhythmic tendencies and you’re halfway there. qu est-ce qu il fait chaud!

“the iceberg/freedom of speech... just watch what you say!” is the third studio album by infamous rapper ice-t, released in 1989. the album has an uncharacteristically gritty sound, featuring some of the darkest musical tracks that ice-t ever released. pressing on audiophile 180 gram vinyl.

first release on new malmö based vinyl label kess kill, run by rivet. kess kill was started with the will to continue the legacy 1979-1983by bands like liasons dangereuses, tommi stumpff, xao seffcheque, geile tiere and others, music that oozed techno, long before techno was a concept. some of the music on kess kill will be brand new, some will be 30 years old, but it will all be unified by the naive frustration and punky rawness that has long been absent

2016 repress, without artwork cover
take daniel lesemans signature swing and loose arrangements, add a touch of junktions knack for jazzy chords and sampling, and you get fouk.

sudden death drop from htk stalwarts marshall applewhite, the friend, shady p, plus relative newcomer, remote viewing party.

the first lad of birmingham techno, rebekah, arrives on soma in a rapturous debut on the confined heart ep. having made her name through the mighty clr and her own decoy label, rebekah has her sights focussed firmly on the future as she develops her ferocious sound with the classy 2 track ep. showing real death to her productions, confined heart has an almost, deeper emotional content whilst still being true to her uncompromising sound. kill floor immediately has you running for the hills as rebekah powers home her soma debut with sheers brute force.

second volume of the hit+run presents “road kill” compilation series on limited-edition 12” colored vinyl. now on vinyl for the first time “road kill vol. 2” features fourteen hand-picked tracks that originally appeared on the compilation’s cd/digital release. each of the 400qty records pressed is a unique mixture of black & bone colored wax. the record comes housed inside a shrink-wrapped full-color offset printed jacket.

the ninja of westcoast electro returns with a cassette tape filled with evil distorted techno. steeped in dark acid and drum machines on overload setting, these are some of the most brutal tracks ever on nyh!

ltd nice price... acht jahre achterbahn are 8 years full of electronic emotions on this ep. with some of our artists since the first second such as elfgrin (new houseproject from lars wickinger), alex sander and new artists of kill a beat rec. such as be major (one of kamelon) and jonas saalbach in cooperation with tschoris (einmusika).

lp with printed deluxe sleeve - original sound track of sundance film festival award indie movie *the summer of sangaile*, music written by j.b. dunckel (one of the 2 air members - his solo name also being darkel). pressing on translucent 12 inch vinyl.

limited edition 10 inch gold vinyl single taken from the city of gold album!

canadian producer clarian delivers three melodic house numbers on his new kill for love ep on anjunadeep, supported by sasha, guy gerber, axel boman and lee burridge.

when the violets roar at the sun
they ll set us free
and they ve got us in their cage
ruined of grace and senses
and the heart roars like a lion
for what they ve done to us

co founder of one of our favorite labels of the moment how to kill detroit, knocked us over with his own trax recently, so we had to do a release with him. shady p brings us some prime detroit techno sludge with this ep.

dear wanderer, ramona is happy to present the video dead, chinaski s debut-­ep for live at robert johnson. originally hailing from the high north of germany, rostock near the rough and stormy sea, the young man with interests in 80s video-­aesthetics and vintage synthesizers is now calling offenbach his home­turf. chinaskis ep starts out with time to kill, a straight forward hypnotizing jacker directly heading to the synthesized happiness. midnight workout features a different side to the young talent sensitive placed synth harmonies packed in a vintage-­pop interlude. after a journey through more harmonious domains, night school turns the page again and picks up on those synth-waves and put ramona away from her calm drive through the midnight heat, right on the dancefloor mesmerizing analogue deep housevibes all over the place.hide society steps out of context and mixes chinaskis affection for the warmth of these marvelous synth-­sounds with trippy post-­breaking or even proto-­hiphop sounds topped off with a weird vocal sample. the title­track the video dead summons all emotional power ramona could implant into a synthesizer, the heartbeat like reduced kick-­drum and hihats floating around the track are mostly incidental or not even there for the ears. purely visual.

from freaked out electro to dirty harder techno tunes by verthex scratch vs rv

hes ridden us raw with his naked piano, made our booties clap so hard weve needed medical care, shown us his titsss and hes even taken us to the mo wherever that is. now belgian wunderkind kill frenzy is about to flip the biggest switch of his career and whisk us away on his most exciting, most extensive dirtybird adventure yet: his long-awaited debut album taylr swft.

• emetic dna is a new vinyl only sub label from emetic and martyn hare
• proper dirty dancefloor techno of the highest order
• comes with free sticker...

emetic dna is a new vinyl only sub label from emetic and martyn hare. taking inspiration from its roots in hard, intense techno and pushing it forward with innovative thinking and analogue machines.
the a-side twists an insane synth line alongside beats that could kill a horse while the aa-side relentlessly pounds your brain with snares and your colon with bass. proper dirty dancefloor techno of the highest order…

repress 2014 !!
after the hugely successful parties in paris, kill brique becomes a label for the more techier side of the house. it was hard to keep it up mixing all the styles on brique rouge. the almighty hardfloor open the new imprint with a huge huge track called soulful spirit , an hymn to independant music. you can expect the usual acid treatment as well as a detroit taste in a kms vein. pretty nice.on the flip and to prove you that we are dead serious about this new label we abducted josh wink when he came to paris and push him in the studio to make this good damn remix ! even oliver bondzio said he loves it, and the man is hard to please believe me ! so kill brique ! josh wink rmx

following eomac’s debut album “spectre” on killekill, released earlier this year, here come remixes of the three most outstanding track sof the album. tommy four seven picked the title track spectre, taking away some of the dense texture of the original, speeding it up a bit and adding some straight-forward percussion to turn the original into a big anthem for the mellow moments on the dancefloor. lars stöwe aka anstam is using his anno stamm-alias to rip the distorted bassline of the grimey su riddim out and add some playful bassline variations and some serious 808 business to it to turn it into a peaktime banger with lots of chicago flavour. and do what they do best and turn shell of dark into a half-tempo stomper that after a while breaks up to a devastating weapon of distorted drums and melodies.

classic hip hop album, originally released in 2000

pleasures of the flesh ist das zweite studioalbum der us-amerikanischen thrash-metal-band exodus.

were not done celebrating our 10th anniversary at the still music headquarters and weve decided to continue diggin for some treats from our vaults. after weve released the critically acclaimed kill yourself dancing! the story of sunset records inc. 1985-89, a lot of our friends were asking us for some specific 12inches to be repressed. we felt obliged to comply and here we go with three of the most significant 12inches from sunset records inc.lets start at the beginning with a one of the first house 12inch released in chicago in 1985 by razz aka matt warren & ralphi rosario.

after releases on john osbourne’s label tanstaafl bill youngman once again rips it off for killekill with our catalog number 019.from straight forward, hard hitting techno as in levitate he crosses over to the typical youngman style 2-step/techno hybrid as in magnetic. broken beats and playful me- oldies as in teardrop turns to solid are definitely not new to him, but the combi-nation of these two elements, as we find it here, definitely is. a beautiful masterpiece that works for the lonely hours as well as for the peaktime dancefloors.

killekill is proud to present eomac’s “spectre”, the debut album from dublin-based producer ian mcdon- nell, a rising star in the techno scene. spectre also marks the label’s first full-length album release. ian is better-known as half of the irish duo lakker and this album is certainly carved from the same cold slab of stone. his music has already gained huge support from the likes of tommy four seven, ellen allien, thom yorke and the one and only aphex twin himself. bleepy, slo-mo synth lines, dense textures, saturated bassdrums and hand-sliced vocals dunked in cavern- ous reverb – spectre is all about eomac doing what he does best, taking our concepts of club sound and contorting them into something that is truly his own. the melodies are slo-mo and lo-fi, the pads, exquisitely lush and textured. ian’s amazing sound-design (bordering on the intense in some places) and incredible attention to detail makes this an album where each listen reveals a deeper layer. spatters of noise, shards of broken beat and relentlessly pounding techno rhythms also make it a dancefloor-decimating weapon.

nach dem debuetalbum yes is more (2009) und remixes für röyksopp, radio slave & andrew weatherall präsentiert der londoner pop-elektroniker danton eeprom sein zweites album als hybriden aus leftfield-pop, detroit techno & chicago house, der zwischen catchy synth-pop (biscotto & chimpanzee), lasziven hiphop (hex tape), roxy music-charme (never ask, never tell), late-nite-house-sleaze (femdom, hungry for more) und kroenender eleganz (all eyes on me) variiert.

killekill 017 by neil landstrumm is a three tracker with no less than three hits on it. the a-side is a dark slammer about someone trading his ass for drugs in a new acid / disco / synthwave / techno fusion style with an undisputed chicago flavour in it. what a hit!
this is the standard pressing on black vinyl.

limited edition of 270 handnumbered copies on red vinyl.
killekill 017 by neil landstrumm is a three tracker with no less than three hits on it. the a-side is a dark slammer about someone trading his ass for drugs in a new acid / disco / synthwave / techno fusion style with an undisputed chicago flavour in it. what a hit!

we are happy to welcome nyc based dj spider and berlin based franklin de costa in the killekill family. for catalog number 016 these two heavy weights of contemporary house music have joined forces to genetically modify their original sound and deliver 4 superdark and driving tools on the verge between techno and house – straight into the hands of the daring dj.

kill frenzy, our belgian booty-loving jean-claude van damme look-alike returns with his latest ode to the female form. it never ceases to amaze us that the crew member with the tightest pants consistently turns in some of nastiest ghetto funk.

back in stock , classic house

cassegrain & tin man are a deadly combination. old school acid lines programmed by one of the greatest masters in this field meet a super modern techno sound design by cassegrain, who have made themselves a name in the last years for producing some of the finest in dark and experimental techno. for the follow up to their debut release on killekill they have put together three tracks that are outstand- ing. high & low is a slowly swelling minimalistic acid epos of over 10 minutes length which proves the mas- tership of tin man in programming acid loops of eternal quality. 8 beats length only, but constantly evolving. no chance for boredom. the b-side starts with sex kit, a dark acid stomper with a chirping percussion which is well suitable for the peaktime dancefloor, followed by sand maze, a sublte minimalistic ambient acid piece, that winds its way into total dissolution. we are quite sure that this is the way acid should sound in 2013.